Belbury Poly, the first and still poppiest artist on Ghost Box’s roster, released their third full-length record earlier this winter. Despite being the least abrasive of the Ghost Box club, they’ve still always retained a creepy vibe, something that is a little less pronounced here. Still, it’s more of what you’ve come to expect from the niche label — gurgling and plunking electronics seated squarely in a half-imaginary past of British alchemy, mysticism, and educational multimedia.
Also notable is the album art’s increased departure from the Romek Marber homages that have characterized Ghost Box releases. I’d have admired their tenacity if they had stuck with the same template through every release, but I guess they can’t be blamed for wanting to try something a little different.
And if you are in or around London, be sure not to miss the Belbury Youth Club Night at The Shunt Lounge, this Wednesday, March 11.




Although I love listening to
Songs of Green Pheasant is the recording name of Duncan Sumpner, originally of England, and residing now in California. I’ll be damned if I can remember where I heard about Aerial Days, 2006’s follow-up